Preserving Texas’ WWI History

As we approach the 100th anniversary of America’s entry into World War I, April 6, 1917, TSLAC Conservation has worked with several WWI items.  The two WWI Memorial Posters for Sgt. James Young (1918) are part of the collection at the Sam Houston Regional Library and Research Center in Liberty, TX.  These halftone lithographic prints on machine-made, clay-coated paper appear to have been commercially produced with customizable text to honor a departed loved one.  The posters had significant tears previously repaired with pressure-sensitive tape.  During treatment, the tape was removed mechanically and with heat.  The acrylic-based adhesive was further reduced with a crepe eraser.  The exposed tears were then mended with thin strips of Japanese tissue and reversible wheat starch paste.  Light inpainting conceals abrasion at the tear site.

One of the WWI Memorial Posters for Sgt. James Young (1918,) after treatment. The center circle was likely left blank for attachment of a photograph.

One of the WWI Memorial Posters for Sgt. James Young (1918,) after treatment. The center circle was likely left blank for attachment of a photograph.

Reeducing adhesive from pressure-sensitive tape.

Reducing adhesive from pressure-sensitive tape.

Further preparation has taken place as part of TSLAC’s exhibit Texans Take to the Trenches: The Lone Star State and the Great War, opening April 3, 2017.  “A Message Calling for War with the Imperial German Government” (1917) is an oversize broadside declaring America’s entry into the war.  Measuring 61 x 47 cm, the broadside features black, red, and metallic gold ink on machine-made paper.  The primary challenge for this item was to support it during vertical display.  To achieve this, the item was fully encapsulated in archival plastic.  Stabilizer bars of acid-free, corrugated board were then attached at the head and tail of the packet.  The item will hang from nylon monofilament attached to the stabilizer bar.  Encapsulation is a fully reversible, archives-safe process that seals a plastic packet around a document on all sides.  It differs from lamination, a non-archival and often irreversible process, in which plastic is melted into a document.

“A Message Calling for War with the Imperial German Government” (1917,) encapsulated for exhibit.

“A Message Calling for War with the Imperial German Government” (1917,) encapsulated for exhibit.

Detail

Detail

The public is invited to TSLAC’s exhibit opening event on April 6, 2017.  The event will feature the reading of messages and stories from WWI soldiers and their families.  For more information: https://www.tsl.texas.gov/news/2017/trenches

Conservation of Texas Supreme Court Dockets

TSLAC Conservation has recently been working on a collection of 89 19th century Texas Supreme Court dockets.  These volumes document state Supreme Court proceedings and are frequently accessed by staff and patrons. The large number of items requires a blend of collections conservation and single-item treatment strategies.  Prioritizing collections issues has quickly improved access while freeing subsequent time for single-item treatment.

Texas Supreme Court dockets (foreground.) The yellow color in these photographs comes from ultraviolet filtering in collections storage.

First, a preliminary survey was conducted to characterize the oversize ledgers and classify them by severity of condition issues.  Then, collections stabilization procedures were streamlined to take place primarily within collections storage.  Once this is complete, severely damaged items will be targeted for full treatment in the conservation lab.  This workflow has enabled efficient treatment of the greatest number of items and flexible accommodation of other ongoing lab projects.

The project has presented several challenges.  The time-intensive demands of conservation documentation must be balanced with the pace of work required in a collections-level project.  This highlights the tension between product and process in an archives setting.  Further, efficiency-minded, single-item treatment techniques must be developed for oversize account books. TSLAC Conservation hopes to discuss the project’s challenges, techniques, and successes at the 2017 American Institute of Conservation annual meeting next year.

Volunteers Assist with State Supreme Court Case Files

This month, TSLAC Conservation highlights our volunteers. With their help, we are preparing 19th century State Supreme Court case files for digitization and improved researcher access.

Legal documents like the case files were typically stored in tri-folded packets and tightly sandwiched into drawers. After many years, the paper strongly retains its folds, making physical access very difficult. A series of grants from the Texas Historical Foundation has enabled TSLAC to address these documents’ physical condition and scan them for digital access.

Thick, folded packets present obstacles to researcher access.

Thick, folded packets present obstacles to researcher access.

TSLAC archivists first humidify and flatten the packets. For many case files, this is all the work that is required. Archivists then earmark any flattened case files in need of conservation treatment. That’s where our conservation volunteers come in.

Anne selects a flattened case file for conservation treatment.

Anne selects a flattened case file for conservation treatment.

Volunteers Anne and Lidia carefully separate case file packets adhered at the top with animal hide glue. They use a methyl cellulose poultice to soften the glue, release the leaves, and remove remaining adhesive. Some packets have two adhered leaves; some have 70! Anne and Lidia also mend badly damaged leaves with Japanese tissue and reversible wheat starch paste. The resulting, stabilized leaves are ready for reading room access and for scanning.

Lidia applies a methyl cellulose poultice to a previously water-damaged case file.

Lidia applies a methyl cellulose poultice to a previously water-damaged case file.

TSLAC thanks our volunteers for their hard work and dedication toward making these documents accessible!

Behind the Scenes: Exhibit Preparation

TSLAC’s upcoming exhibit, Wish You Were Here, opening April 4, highlights Texas travel and tourism with a spotlight on TSLAC’s postcard and photograph collections.  Exhibit preparation takes place in the Conservation Lab. Among other tasks, exhibit preparation can involve making cradles and mounts, matting, and devising custom display devices.

This San Antonio travel brochure is being prepared for flat display in a special exhibit case with interactive drawers. The brochure is mounted to thick card with non-adhesive, archival plastic corners. In order to keep the item from sliding in the drawer, small magnets are attached to the back of the card. These magnets anchor the item to the magnetized drawer to maintain stability throughout the exhibit.

Travel brochure mounted to stiff card with archival plastic corners.

Travel brochure mounted to stiff card with archival plastic corners.

This Texas Panhandle postcard requires a custom display ramp. The ramp is constructed of acid-free, lignin-free corrugated board chosen for its light weight and strength. The display ramp is sized to accommodate a second postcard during the latter part of the exhibit in order to minimize light damage on both items. Postcards are secured to the ramp with thin strips of non-adhesive, archival plastic.

Building custom ramp for postcard.

Building custom ramp for postcard.

Postcard mounted to ramp.

Postcard mounted to ramp.

Some items require more extensive preparation work. These three postcard books are being matted for display in a large exhibit frame. The frame allows viewing from both the front and back, so the postcard books must be carefully fitted with two matching mats. Reversible hinges made of thin Japanese tissue hold the postcard books flat and vertical.

Cutting a mat template.

Cutting a mat template.

Testing fit of mat template with postcard books.

Testing fit of mat template with postcard books.

Conservation Treatment of an Oversize Ledger Binding with Canvas Cover

Canvas covers protect many oversize ledger bindings in TSLAC’s collection. Like modern paper covers for children’s textbooks, canvas covers were meant to safeguard government records through years of heavy use. Unlike modern paper covers, canvas covers are original to their bindings. They feature leather corners and decorative paper doublures (seen when the book opens) that match the volume.

General Index to Court of Criminal Appeals, 1919-1947 (19 3/4” x 16” x 4”) with damaged canvas cover.

General Index to Court of Criminal Appeals, 1919-1947 (19 3/4” x 16” x 4”) with damaged canvas cover.

Inside the book, the canvas cover is backed with stiff card. Leather corners, decorative paper, and manufacturer’s labels on the cover match the original binding.

Inside the book, the canvas cover is backed with stiff card. Leather corners, decorative paper, and manufacturer’s labels on the cover match the original binding.

Today, tattered canvas covers present a conservation conundrum. Is the cover simply a disposable protective layer at the end of its useful life? Or is it an inherent part of the binding that should be preserved? Given the abundance of government ledger bindings, can full treatment be justified and time-efficient?

These questions shaped treatment of the General Index to Court of Criminal Appeals, 1919-1947. Frequent use of this 40 lb+ book had left its canvas cover frayed and torn, with large losses at its edges and all along its spine. An ideal treatment would preserve legibility of labeling on the canvas cover and the exposed book’s spine for the use of reading room staff.

A treatment was designed to retain and stabilize the canvas cover. First, losses were filled with toned muslin. In order to achieve reversibility and prevent adhesive strike-through, heat-set tissue was applied beneath the torn edges of the canvas. Shaped, toned muslin patches were then adhered with PVA to bridge canvas losses.

Inserting toned muslin fills beneath canvas backed with heat-set tissue.

IInserting toned muslin fills beneath canvas backed with heat-set tissue.

Repairs to the spine leather were completed with linen-backed toned tissue. Then, the remaining segments of canvas cover were secured to the binding using a modified reback treatment. A reback is a common spine repair method in circulating collections. Since our canvas spine cover was missing, the remaining canvas cover was rebacked to the book’s original spine covering. This involved lifting material in the book’s hinges, adhering the loose canvas on the board’s inner edge with reversible Lascaux, and reattaching the original covering material.

Preparing hinge region to “reback” the remaining canvas cover to the book’s exposed spine covering.

Preparing hinge region to “reback” the remaining canvas cover to the book’s exposed spine covering.

In creating a hybrid structure of canvas cover and original binding, this treatment acknowledges both elements as integral parts of the volume. The treatment is aesthetically tidy, stabilizes the volume for ongoing use, and remains reversible with heat and solvent. The treatment required approximately 10 hours to complete, which is not unrealistic for other, prioritized volumes with similar condition issues.

Future versions of this treatment might revisit the use of heat-set tissue, which may prove to be somewhat too reversible in this application. In place of heat-set, inconspicuous sewing could improve durability while maintaining reversibility and aesthetic compatibility. However, sewing would be complicated by the inability to turn the cover inside out. TSLAC Conservation welcomes thoughts and discussion about this treatment.

Before treatment

Before treatment

After treatment

Before treatment

Before treatment

After treatment

Conservation Treatment of the Travis Bible

In preparation for our upcoming exhibit of treasured Texas icons, TSLAC Conservation completed treatment on the Travis Bible. This 1823 Bible may have been with Commander William Travis during the siege on the Alamo. At some past time, the Travis Bible sustained significant water damage, which caused its pages to swell. Major components of the outer binding had broken to accommodate the extra thickness of the paper.

One treatment goal was to stabilize the Bible’s spine and broken hinges with new leather. This process requires significant preparation, as the repair leather must first be dyed, burnished, and pared to match the binding. The leather was then shaped to the spine and adhered under the original leather on the boards, or covers. Stylistic elements of the headcaps and joints were fashioned according to typical 19th century binding aesthetics. Finally, the original spine covering was re-adhered.

Dyeing repair leather

Dyeing repair leather

Reattaching boards

Reattaching boards

A second goal was to stabilize eight silked leaves. Silking is a previous preservation strategy that reinforced fragile paper with a thin silk lining. Today, we know that silk’s acidity hastens paper’s degradation, and modern conservators instead work with pH-neutral Japanese tissue. During this treatment, the silk was removed and the leaves were mended with tissue as needed. However, three leaves of hand-written family history were especially brittle. Their ongoing use in the binding risked further chipping and loss. These leaves were removed, washed, desilked, deacidified, and housed in window mats. A custom enclosure was then created for the Bible and its removed components.

 

Silked leaves removed from binding

Silked leaves removed from binding

De-silked leaf in window mat

De-silked leaf in window mat

The Travis Bible and other treasures will be on exhibit beginning January 27. Travis’ famous “Victory or Death” letter from the Alamo joins the exhibit February 23. A few before and after images summarize the Bible’s conservation treatment:

Before

After

Before

After

 

May Day! Disaster Recovery!

Each spring, the preservation community celebrates Preservation Week and MayDay with special events that promote the preservation of cultural heritage. This May, TSLAC Conservation joins our State and Local Records Management Division in offering a free webinar, “Disaster Recovery and Salvage for Government Records,” on Thursday, May 22, at 10 AM Central Time. View course information at: https://www2.gotomeeting.com/register/353363082

Though the course addresses some specific needs of government records managers, registration is open to all. Basics of physical recovery will be discussed along with legal obligations for state government. Learn about safely drying books, paper, photographs, and electronic media, as well as preparing for hazards such as flood, mold, and insects. Institutional recovery contracting and decision-making will be covered, with a special focus on Texas state and local records. This unique, collaborative course is newly updated from its 2012 debut as part of our 2014 preservation activities.

Insect damage

Insects thrive in warm, moist environments. They can cause extensive damage to record-keeping materials, as seen on the spine of this book.

Legislation in Progress, 1879

TSLAC Conservation recently worked on a remarkable volume called the Revised Statutes of the State of Texas, 1879. While most of TSLAC’s state House and Senate publications share the same format – legal-style print publications bound in brown sheepskin leather with one red and one black spine label – this volume had an unusual, custom cover label that indicated something special.

The custom label on the volume’s front cover says “Senate Bill No. 54”

Inside is the text of an omnibus bill, plus a surprise – extra, tipped-in sheets throughout the volume that feature hand-written annotations and revisions. The additional sheets are either unnumbered or hand-numbered to match the neighboring, printed pages, which are often correspondingly marked with edits.

Manuscript edits on the left page correspond with the crossed-out text at the top of the right page.

Manuscript signatures are present throughout the volume, indicating approval of the proposed textual changes by relevant authors and staff. A final sheet near the end of the volume features signatures of Senate President Joseph D. Sayers, Speaker of the House John H. Cochran, Secretary of State John D. Templeton, and Governor Oran M. Roberts, among others.

Signatures shown: Wm. A. Fields, 1st Asst., Secretary of Senate; Will Lambert, Chief Clerk, House of Representatives; O.M. Roberts, Governor.

Treatment for this volume focused primarily on reattaching the back board, or cover. Additionally, two manuscript leaves were found to be attached with brads instead of tipped in with glue. Typical preservation strategy would be to remove these brads. However, inspection revealed that the brads are not rusting or tearing the paper. Given current archival storage conditions and the item’s non-circulating status, the brads were left in place as part of this volume’s one-of-a-kind structure and as evidence of its authors’ working methods.

This unusual hybrid print/manuscript volume captures legislation as a work in progress. Additionally, it has now become an autograph album of 19th century Texas politics.

Meusebach Notebook

In preparation for our exhibit, “Texas Moves Toward Statehood: Stories Behind the Mural,” TSLAC Conservation conducted treatment on a small notebook belonging to German immigrant and Fredericksburg founder John O. Meusebach.  This notebook is displayed along with several other Meusebach artifacts, including his famous 1847 Comanche peace treaty.

Meusebach notebook before treatment

Meusebach notebook before treatment

Meusebach’s notebook, just 5 ½ x 3 ¾ x ½ inches, features leather-trimmed, shaped wooden boards with a gold-tooled leather spine piece.  Boards are hand-illustrated with German verse and drawings relevant to Texas.  Gold-tooled leather loops at the boards’ front edge hold a small pencil; when the pencil is inserted, the volume is fastened shut.  Inside, the boards are lined with cream-colored silk.  Silk pockets inside each board are further lined with bright, turquoise-colored paper.  The notebook itself is separate from the boards, sewn into a flexible cover of cream-colored silk, turquoise paper, and gold foil decorative strips.

Meusebach notebook components: case (boards), notebook, and stylus (pencil.)

Meusebach notebook components: case (boards), notebook, and stylus (pencil.)

The outer case had been previously repaired with pressure-sensitive tape along the inside and outside of its spine, with tape adhered to both leather and silk.  During treatment, tape and adhesive were mechanically removed from the leather, revealing losses in the spine and the full detachment of the front board.  Tape removal from the degraded silk was more problematic, especially because much of the silk was baggy and loose across the spine region.  Working with a heated spatula allowed partial success.  Toned Japanese tissue was then adhered to support and fill the remaining silk.

Tape removal

Tape removal

The next step was to reattach the front board and fill the revealed spine losses with toned tissue.  This step required some testing and adjustment of tissue placement and adhesives, since the small, ornately decorated notebook allowed very small adhesive surfaces.

Notebook after treatment

Notebook after treatment

You can see the resulting notebook on display in “Texas Moves Toward Statehood: Stories Behind the Mural.”  The Texas State Library and Archives is now open on the second Saturday of every month from 9 AM to 4 PM.

 

Exhibiting the News: the UPI Teleprint of the Kennedy and Connally Shootings

In addition to displaying Texas Governor John Connally’s suit, TSLAC’s exhibit “Texas Investigates: The Assassination of John F. Kennedy and Wounding of Governor John B. Connally”  highlights archival records of the Kennedy assassination, which took place 50 years ago this November. Among these holdings is a teleprint from United Press International (UPI), the first news wire service that reported the assassination story as it developed on November 22, 1963.

In a time before personal computers and the internet, UPI transmitted news bulletins across wires to Teletype machines, which continuously printed updates on a paper scroll.  Publishers and broadcasters could then communicate the news to their audiences.  On November 22, 1963, UPI teleprinters rattled frantically, and the events of the day unfurled on long sheets of canary yellow paper in newsrooms across the country.  Numerous misspellings and factual corrections emphasize the haste and intensity of the moment.  Walter Cronkite’s famous on-air announcement of Kennedy’s death was based on a UPI teleprint just like the one in TSLAC’s exhibit.

UPI teleprint from November 22, 1963.

UPI teleprint from November 22, 1963.

TSLAC’s teleprint is over seven feet long and folded into eight panels for flat storage.  The document is fully digitized in our online exhibit (1, 2, 3, 4), but the physical teleprint itself also tells a powerful story.  Accordingly, TSLAC conservator Sarah Norris designed and built a custom exhibit cradle to display the physical object and safely maximize its visual impact.

UPI teleprint on zig-zag exhibit cradle.

UPI teleprint on zig-zag exhibit cradle.

To support this unique item, the exhibit cradle has a zig-zag shape that conforms to the teleprint’s exact measurements and contours.  The cradle is built from archival, acid-free corrugated board, whose lightweight strength allows an overall cradle height of 31 inches.  A five-inch-tall model illustrated construction details, including ideal angle measurements for internal supports.  Light monitoring is periodically conducted to ensure that the paper’s yellow dye is not adversely affected by exhibit conditions. 

As exhibited, the teleprint encourages visitors to consider past communication technologies and to appreciate the impact of physical archival objects.  Visitors can imagine themselves standing before the Teletype machine in a busy newsroom as events unfolded on November 22, 1963.  Along with Governor Connally’s suit, the teleprint helps convey the immediacy and urgency of the day.